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Supplies |
Supplies:
Badger 100 SG
airbrush, Loew-Cornell #7020, size 4 ultra round brush, white Gesso, Jo
Sonja Texturing Paste, Jo Sonja Matte Varnish, Jo Sonja Guache
(paint), Chroma Airbrush paints, Badger Airbrush Cleaner
Directions:
Prepare the
bird by first stippling the entire decoy with a white gesso and Jo Sonja
texturing paste mix. Stippling mixture should be the consistency
of sour cream. Apply mixture to the decoy with a large brush, then
using a sponge dab the painted decoy to achieve a "bumpy" texture.
Allow decoy to air dry for several hours before further paint is
applied.
DO NOT
use a hair dryer to quicken the drying time of the stippled base coat,
since small pinholes could develop.
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Airbrushing Feather Edges |
Using a stencil of
the appropriate size for the feather group you are painting, lightly
spray around the stencil to form a shading of the feather edge.
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Feather Splits
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Using the base
color of the feather, stroke in the feather splits using the
Loew-Cornell 7020 brush. Feather splits should curve slightly
towards the quill and have a triangular shape.
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Feather Stroking
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Using the same
color paint used for airburshing the feather edges, stroke the feather
barbs with the Loew-Cornell 7020 brush. Slightly thin out the
paint with water for this procedure. Keep the brush high on the
point when stroking the barbs.
With practice, the
use of this painting technique will produce a soft and desirable effect on
your decoys. The key is PRACTICE and PATIENCE.
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